- Wed, Nov 15 | 8 p.m. | Campbell Hall
-
- Acclaimed musicians come together for an eclectic musical adventure featuring new music for banjo, bansuri, tabla and double bass
- Ambitious group blends Indian classical music with Western classical, bluegrass and jazz
- As heard on the 2023 release, As We Speak (Thirty Tigers)
- $70 / $50 / $35 / $15 UCSB students (Current student ID required)
- Tickets & Info: www.ArtsAndLectures.UCSB.edu or call (805) 893-3535
“Together, the trio’s sound is nothing short of majestic.”The Denver Post
SANTA BARBARA — UCSB Arts & Lectures presents Béla Fleck, Zakir Hussain and Edgar Meyer with Rakesh Chaurasia on Wednesday, November 15 at 8 p.m. at UCSB Campbell Hall. Tabla and bansuri meet acoustic bass and banjo in this musical adventure. On their new album, As We Speak, this one-of-a-kind quartet made up of musicians Béla Fleck, Zakir Hussain, Edgar Meyer and flautist Rakesh Chaurasia combines the cerebral complexity of Indian ragas with the gut-level groove of a funky bass line. In concert, they fulfill the promise of the album’s title with brilliant performances that strike an exquisite balance between compositional rigor and conversational improvisation.
ABOUT THE PROGRAM
The first time banjo legend Béla Fleck, tabla master Zakir Hussain and double bass virtuoso Edgar Meyer got together to make an album, it was to write, not to play.
When Fleck and Meyer were looking for a third partner for a triple concerto they had been commissioned to write to mark the opening of Nashville’s Schermerhorn Symphony Center, they thought of Hussain, who was quite interested in orchestral writing. “We thought we could learn a whole lot from this guy!” says Fleck. The result was The Melody of Rhythm (2009), recorded with the Detroit Symphony Orchestra under Leonard Slatkin.
It wasn’t until the three began touring to promote the album that the trio’s true potential became apparent. Although each had a base in a different musical realm – bluegrass for Fleck, Indian classical music for Hussain and Western classical music for Meyer – they shared a gift for improvisation as well as an ability to reach across musical genres as casually as neighbors might chat over a backyard fence. “When we are performing on stage, in composing mode or creating mode, we are basically having a conversation,” says Hussain. “So the music emerges as we speak.”
Hence As We Speak, an album that not only showcases the group’s breathtaking abilities as instrumentalists, but underscores the wide range of musical influences at their command. Across a dozen tracks, the group glides easily between the cerebral complexity of Indian rhythm and the gut-level groove of a funky bass line, sounding equally at home with the rigors of raga.
Adding to that magic is Rakesh Chaurasia, who plays bansuri, an Indian bamboo flute. When the trio was touring India, Hussain – who knew Chaurasia through his uncle, Indian flute legend Pandit Hariprasad Chaurasia – invited the younger flautist to sit in, and the chemistry was immediately apparent. “I think we wanted to see if we could do something a little more organic with just a small group,” says Meyer. “And to have somebody who plays as beautifully as Rakesh join us really opened it up to a more lyrical and melodic situation.”
“What I think is good about this quartet is that everybody has to stretch in the direction of the other people,” adds Fleck. “To me, a collaboration where nobody changes is not a collaboration. It’s a mashup. And there’s nothing wrong with that. But I like a collaboration where I have to learn a bunch of new things from the other people. And in this case, I’m learning like crazy.”
ABOUT BÉLA FLECK
Few musicians in any category seem as uncategorizable as Béla Fleck. After initially making his mark with the progressive bluegrass group New Grass Revival, Fleck proceeded to take his instrument, as New York Times critic Jon Pareles noted, “to some very unlikely places.” He formed the Flecktones, a groundbreaking group whose repertoire ranged from fusion to Bach; the group celebrates its 46th anniversary this year. In addition, he has played jazz with Chick Corea, American roots with his partner, banjoist Abigail Washburn, written concertos for banjo and orchestra, and created a documentary film and album, Throw Down Your Heart, that examined the banjo’s African roots. Along the way, he has won 16 Grammys across 10 categories.
ABOUT ZAKIR HUSSAIN
The preeminent classical tabla virtuoso of our time, Zakir Hussain is appreciated as one of the world’s most esteemed and influential musicians – one whose mastery of his percussion instrument has taken it to a new level, transcending cultures and national borders. A child prodigy, accompanying India’s greatest musicians and dancers from his early years, and touring internationally while still in his teens, Hussain has been at the helm of many genre-defying collaborations including Shakti, Remember Shakti, Masters of Percussion, Diga, Tabla Beat Science, CrossCurrents, Sangam and Grammy award-winners Planet Drum and Global Drum Project. A revered composer and educator, Hussain is the recipient of countless honors, most recently the 2022 Kyoto Prize in Arts and Philosophy, the 2022 Aga Khan Music Award for Lifetime Achievement, and in January 2023, the title of Padma Vibhushan, India’s second highest civilian award.
ABOUT EDGAR MEYER
Aptly described by The New Yorker as “the most remarkable virtuoso in the relatively un-chronicled history of his instrument,” double bassist and composer Edgar Meyer is at home in a broad spectrum of musical styles. A MacArthur Fellow and Avery Fisher Prize winner, he is eminently at home within classical music, both performing traditional works and also his significant catalog of original solo, chamber and orchestral pieces. His 30-year relationship with Yo-Yo Ma has yielded seven recordings together, and his upcoming projects include a duo recording with jazz bassist Christian McBride and a recording of all four of his concertos with The Knights and the Scottish Ensemble, produced by Chis Thile.
ABOUT RAKESH CHAURASIA
Like Zakir Hussain, Rakesh Chaurasia comes from Indian classical music royalty. His uncle, Pandit Hariprasad Chaursia, is widely considered the greatest bansuri player in India, and Rakesh – who started playing at age five – is deemed his most brilliant student. Not only has he mastered the techniques of Indian classical music, he has developed additional techniques allowing him to venture into other styles of playing, particularly with his crossover band Rakesh and Friends. A composer as well as flautist, he has written and performed on numerous Indian movie soundtracks, and in 2007 was awarded the Indian Music Academy Award.
ABOUT UCSB ARTS & LECTURES
Founded in 1959, UCSB Arts & Lectures (A&L) is the largest and most influential arts and lectures organization between Los Angeles and San Francisco. A&L annually presents more than a hundred public events, from critically acclaimed concerts and dance performances by world-renowned artists to talks by groundbreaking authors and film series at UCSB and Santa Barbara-area venues. With a mission to “educate, entertain and inspire,” A&L also oversees an outreach program that brings visiting artists and speakers into local classrooms and other venues for master classes, open rehearsals, discussions and more, serving K-12 students, college students and the general public.
Béla Fleck, Zakir Hussain and Edgar Meyer with Rakesh Chaurasia is presented by UCSB Arts & Lectures in association with UCSB Department of Music
Event Sponsor: Marilyn & Dick Mazess
Special thanks: KCSB FM 91.9
Tickets are $70 / $50 / $35 / $15 UCSB Students (Current student ID required)
For tickets or more information, call UCSB Arts & Lectures at (805) 893-3535 or purchase online at www.ArtsAndLectures.UCSB.edu.
UCSB Arts & Lectures gratefully acknowledges our Community Partners the Natalie Orfalea Foundation & Lou Buglioli for their generous support of the 2023-2024 season.