Tag: Writing’s Visuality in Chinese Flower-and-Bird Painting Lecture by Peter Sturman

Nov. 5 — Santa Barbara Museum of Art to present ‘Sketching Ideas’: Writing’s Visuality in Chinese Flower-and-Bird Painting

SANTA BARBARA — The Santa Barbara Museum of Art to present ‘Sketching Ideas’: Writing’s Visuality in Chinese Flower-and-Bird Painting Lecture by Peter Sturman, Professor, Department of History of Art and Architecture, UC Santa Barbara at 2:30 p.m. Sunday, Nov. 5 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.

Xieyi, “the writing or sketching of ideas,” refers to a particularly free-form mode of painting in China that showcases the artist’s virtuosity wielding a quick-moving brush to capture vibrant and seemingly spontaneous images. Forefronting the dynamic potential of the brush, the technique naturally calls to mind the art of calligraphy, especially the dynamic cursive script, but Xiyu’s association with the art of writing goes far deeper than surface appearances. Spontaneity implies naturalness and authenticity, even spiritual transcendence. Moreover, for scholar-official painters, Xiyu’s linkage to calligraphy offered an essential bridge between image-making and literary expression.