The National Gallery of Art in Washington, D.C. is well known as one of the preeminent museums in the world. Perhaps lesser known is its internationally acclaimed art library that attracts users from all walks of life ranging from college students to highly recognized scholars of art.
SANTA BARBARA — The Santa Barbara Museum of Art (SBMA) will present a special one-Day lecture series on Flowers, Gardens, and Self-Reflection in Chinese Painting from 9:30 a.m. to 5 p.m. Saturday, Jan. 6 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
In conjunction with the exhibition Flowers on a River: The Art of Chinese Flower-and-Bird Painting, 1368–1911, expert art historians offer detailed glimpses into some of the many facets of the flower-and-bird genre in Chinese painting and reveal how these images of intimate nature can be thresholds to worlds rich with beauty and private emotions. Each talk will be approximately 30 minutes with a Q&A following.
In this conversation, Jenny Xie opens up, as US Poet Laureate Juan Felipe Herrera described, “multiple terrains of seeing.” With longing and memory, nuance and subtlety, the “anxiety of bilingualism,” and the unknowability of the self, Xie takes us deep into what is irreducible with pure piercing beauty.
Keith Mayerson has long swum in the sea of mass media that we exist in and reframing them by painting them, and the Santa Barbara Museum of Art recently acquired his painting,Someday we’ll find it, the Rainbow Connection, the lovers, the dreamers, and me (2023). Whether now-iconic photographs of the Stonewall Riots in the summer of 1969, a view of the Grand Canyon, the crenellated skyline of Manhattan, or the Muppets, Mayerson takes subjects we already know—or think we know—and then personalizes them, filtering them through his choice of color and mark, highlight and shadow. We see them through Keith’s eyes and in so doing see them anew.
Beloved by artists across the decades for his fierce, uncompromising dedication to art, John Densmore occupies a rarified space in pop culture. His musicianship landed him in the Rock and Roll Hall of Fame. His writing consistently earns accolades and has appeared in a range of publications including the Los Angeles Timesand Rolling Stone. As his friend and American novelist Tom Robbins recently advised him, “If you keep writing like this, I’ll have to get a drum set.”
SANTA BARBARA — The Santa Barbara Museum of Art to present the Ying Quartet at 7:30 p.m. Tuesday, Feb. 27 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
The Ying Quartet occupies a position of unique prominence in the classical music world, combining brilliantly communicative performances with a fearlessly imaginative view of chamber music in today’s world.
Over the last 75 years, Artemisia Gentileschi has developed into an icon of female empowerment and the emotive drama of baroque painting. Identified with images of Judith decapitating the general Holofernes, she has come to be understood as a woman who succeeded in a man’s world, overcoming considerable obstacles to do so
Acclaimed as an “outstanding ensemble…cohesive yet full of temperament” (New York Times), the Verona Quartet has firmly established itself amongst the most distinguished ensembles on the chamber music scene today. The quartet received the Chamber Music America’s coveted 2020 Cleveland Quartet Award and has captivated audiences at venues such as Carnegie Hall, Lincoln Center, Kennedy Center, Library of Congress, the Smithsonian, and Wigmore Hall, as well as at numerous festivals worldwide.
The work of acclaimed Los Angeles-based artist Janna Ireland, currently on view at SBMA and MCASB, includes her photographic interpretation of the architecture of Paul R. Williams, the renowned 20th-century Black architect who designed many of Southern California’s iconic buildings. A gifted designer across genres, Williams transformed the face of Los Angeles, including chic celebrity spots like the Beverly Hills Hotel’s Polo Lounge, the Ambassador Hotel’s Coconut Grove, and the cool jazz corridors of Central Avenue.
In conjunction with the exhibition Made by Hand/Born Digital (on view through August 25), enjoy this conversation between ceramic and performance artist Joey Watson and SBMA Curator of Contemporary Art James Glisson. Watson takes the often bizarre and hard-to-fathom forms that life takes in the natural world—whether insects, sea creatures, or microorganism—and reminds us that being human is just one way of being alive. Watson’s sculptures are also tour-de-forces of traditional and innovative techniques. Watson uses 3D printing, fired clay, dazzling glazes, plastic, metal, and silicon among many other materials to build his hybrid sculptures and realize his complex performances.
Over the course of his fifty-year career, Pierre Bonnard painted the spaces of his personal experience again and again. In complex compositions employing luminous color and sensitive brushwork, Bonnard explored the realms of his visual and sensory experience–from landscape to garden to terrace to house, looking along a path, through an open window, down at a tabletop or a bathtub, or into a mirror. George Shackelford will explore these worlds across time and place, through images drawn from the exhibition he organized for the Kimbell Art Museum, Fort Worth, and The Phillips Collection, Washington. D.C.
In conjunction with the exhibition Made by Hand/Born Digital (on view through August 25), this free flowing conversation between artist Yassi Mazandi and SBMA Curator of Contemporary Art James Glisson will cover her explorations with new technology, including NFTs, and her tendency to work with traditional mediums, like painting and ceramics, against the grain.
Artists today struggle with the question of what kind of art to make in light of contemporary issues. A century ago, artists faced similar questions. This exhibition looks at how artists negotiated the extraordinary changes and tragedies of the early 20th century: the mass casualties in the First World War, economic despair because of worldwide depressions, colonized people struggling for freedom, and the rise of communism, fascism, and totalitarian dictatorships.
If you have a passion for art and are interested in serving the community, the SBMA Docent Program is a rewarding and supportive environment to learn and have fun. Volunteer docents engage with visitors of all ages through guided tours to make works of art accessible to everyone. An art background is not required.
Elliott Hundley layers painting, sculpture, and found objects to create contained yet epic imaginary universes that recall the theatricality of the classical works that inspire him.
Owing to her American passport, identity as an upper-class woman, family money, and her identification with the Impressionist group in Paris, Mary Cassatt’s choice of subjects, and the style of both her painting and intaglio printmaking were singular. The lecture will focus on the radical monstrosity of her so-called “mother and child” pictures, and the technical virtuosity and indirection of her intaglio prints.
SANTA BARBARA — The Santa Barbara Museum of Art (SBMA) presents a free family day in celebration of Día de los Muertos on Sunday, Oct. 20, 11 am – 4 pm, in the Museum’s Front Terrace, Family Resource Center, and galleries. For the 35th year, the Museum honors the Mexican tradition of remembering the dead with a variety of family festivities include altar displays, art activities, live music, and dance performances. For the second year, a Day of the Dead Calenda, or procession, will travel from SBMA to the Museum of Contemporary Art Santa Barbara (MCASB).Admission to the family event and to both museums is free.
Winner of the 2012 and 2016 Latin Grammys for Best Classical Recordings, this outstanding quartet will perform their TRIBUTE TO THE AMERICAS program, including Quartet No. 17 by Héitor Villa-Lobos, Lullaby by George Gershwin, Astor Piazzolla’s Four for Tango, Samuel Barber’s Adagio for Strings Op. 11, and Quartet Op. 96 in F Major “American” by Antonin Dvorak.
Kick off your holiday shopping with a curated shopping event featuring one-of-a-kind items with an emphasis on art, design and style by local creative women who have taken their art to the next level. Featured are 3D printed designs by Lynda Weinman, leather handbags from Barbara Flanagan, puzzles and notecards by the collage artist Athena Philippides, and edible delights from Marley Confections.
Artist Narsiso Martinez and writer Alex Espinoza share their intersecting stories of family, place, identity, escape, and witness. In equally powerful narrative drawings and narrated words, these two artists create connections in situations and generations where disconnections often speak louder than truth or tenderness.
Book signing to follow.
Parallel Stories is a literary and performing arts series that pairs art and artists with award-winning authors and performers of regional, national, and international acclaim. This series functions as a multidisciplinary lens through which to view the Museum’s collection and special exhibitions.
Artist Dario Robleto, whose work invites us to consider the questions above, is joined in conversation by award winning author Emily Rapp Black, whose searing, unblinking story dealing with death and grief combines an essayist’s willingness to lay herself bare on the page, a theologian’s search to plumb the mysteries of life told with a poet’s precision. Together they explore the Golden Record as the Washington Post described “as both a vessel of science and a leap of faith.”
SBMA Art Matters lecture explores Reimagining the Museum — Art Matters Lecture with Jan-Lodewijk Grootaers, Ph.D., Independent Curator at 5:30 p.m. Thursday, Feb. 2 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
This free concert features student composers, performers, and writers from a workshop led by Grammy Award-winning saxophonist and composer Ted Nash who joins them on stage. Responding in part to artist Joan Tanner’s unorthodox use of materials and inspired by Nash’s original composition first performed with Jazz at Lincoln Center Orchestra, these young artists explore the idea of transformation, both personal and collective, bringing word and music together in this exuberant community-sourced celebration of the expressive and empathetic power of art.
The Santa Barbara Museum of Art will present “Couples with Cassandra C. Jones and Mikael Jorgensen” at 5:30 p.m. Thursday, March 16 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
Inspired by the artistic collaboration of Ed Kienholz and Nancy Reddin Kienholz and the SBMA exhibition Scenes from a Marriage: Ed & Nancy Kienholz, this series explores what happens in fiction and life when artist couples work together or in parallel, and sometimes within competitive creative spaces.
Artist Joan Tanner joins acclaimed poet and art critic, John Yau, Professor of Critical Studies at Rutgers University, for a conversation. Tanner is currently the subject of a solo SBMA exhibition, Out of Joint: Joan Tanner (through May 14). Yau has edited the Brooklyn Rail and Hyperallergic Weekend, and has authored some 50 books of poetry.
SANTA BARBARA — At the invitation of the Santa Barbara Museum of Art (SBMA), Awol Erizku, a noted photographer, sculptor, and painter and subject of a recent New Yorker profile, is collaborating with nine 2023 fellows at the Music Academy of Santa Barbara to plan a memorable one-night-only performance on July 23, that will bridge visual art and classical music.
Erizku is a natural choice for Radiant Frequencies project because music threads through his unusually varied and impossible to easily package practice. Nefertiti—Miles Davis Gold (2022) is a gold mirrored mosaic in the form of the ancient Egyptian queen, which also references Miles Davis’s album Nefertiti (1968). Moreover, the artist says that No Hesi(2022), from his new Cosmic Drill series, relates to Drill, a genre of hip hop. Both artworks are in the Museum’s collection and are currently on display. He is also widely known for his photographs of musicians, including Beyoncé, Nipsey Hussle, J-Cole and Bad Bunny.
SANTA BARBARA — Santa Barbara Museum of Art to present “Dancing Out Loud: Free Public Performances” at 5 and 5:30 p.m. Sunday, Aug. 27 at the Santa Barbara Museum of Art Front Terrace, 1130 State St., Santa Barbara.
Award-winning dancer, choreographer, and deaf artist and advocate Antoine Hunter is joined by members of the Urban Jazz Dance Company, which he founded, in an imaginative, joyful celebration to accompany the exhibition The Private Universe of James Castle: Drawings from the William Louis-Dreyfus Foundation and James Castle Collection and Archive. Enjoy the electric energy of dancing out loud with this free public performance that Mr. Hunter has said, “puts the capital D in Deaf, representing power, culture, and strength.”
This talk examines exquisite engraved cameos and intaglios cut by the gem-carver of the Roman emperor Augustus and addresses the vexed problem of distinguishing ancient originals from modern forgeries.
SANTA BARBARA — The Santa Barbara Museum of Art will present “Wares!” artist Anthony Sonnenberg workshop:
Saturday, September 16, 10 – 11:30 am
Pop-Up Clay Play with Anthony Sonnenberg
Location: SBMA’s Family Resource Center, 1130 State Street, Santa Barbara
Free (reservation required)
Reserve at spot at tickets.sbma.net
Join WARES! exhibition artist Anthony Sonnenberg for a casual conversation, hands-on demo, and unique opportunity to create with clay and cardboard. Pinch, roll, repurpose, twist, glue, and build cross-cultural crowns with the help of Museum Teaching Artists, and explore the power of ornamentation. Dress for mess. Ages 18 and over.
With more than 90 works, this exhibition features many of the most beautiful and accomplished drawings created by the extraordinarily gifted, self-taught artist James Castle (1899 – 1977). The Santa Barbara Museum of Art (SBMA) represents the sole venue for this show, which highlights the artist’s remarkable technical skills and attempts to foster a better understanding of his evocative and unconventional images, particularly his landscapes and architectural interior scenes. Unfortunately, the common perception of Castle and his art has tended to be very limited due to emphasis on his physical impairments—he was profoundly deaf and largely mute—and his geographic isolation, working in rural Idaho.
SANTA BARBARA — The Santa Barbara Museum of Art’s “Art Matters Lecture” explores “The Past, Future, and Present of the Clyfford Still Museum” at 5:30 p.m. Thursday, Oct. 5.
The event features a lecture with Joyce Tsai, Director, Clyfford Still Museum.
SANTA BARBARA — Santa Barbara Museum of Art to present Inside Stories/Outside Tales “Inwardly Defiant: Yunte Huang and Celine Shimizu.”
Celebrated author, Guggenheim Fellow and UCSB professor Yunte Huang reads from his latest book, Daughter of the Dragon, an in-depth exploration of Anna May Wong, the first Chinese American film star who both encouraged and defied the Hollywood industry’s efforts to categorize her.
SANTA BARBARA — Santa Barbara Museum of Art will present a “Día de los Muertos” Free Family Day from 11 a.m. to 4 p.m. Sunday, Oct. 22 at 1130 State St., Santa Barbara.
For the 34th year, the Museum honors the Mexican tradition of remembering the dead with a display of altars created by students in the Museum’s outreach programs and community groups. Día de los Muertos inspired art activities for all ages will be offered on the Front Terrace and in the Family Resource Center. New this year, end the event at 3:45 pm with a procession down State Street to the Museum of Contemporary Art Santa Barbara (MCASB) with Latinx Indigenous immigrant community members and traditional dances and music from the Mixtec and Zapotec region of Oaxaca.
For the procession, costumed participation (Catarinas, Calaveras, and skull or skeleton and human and animal inspired designs) is encouraged.
SANTA BARBARA — The Santa Barbara Museum of Art will present “Self-Portrait En La Cherry: In Conversation with Artist Narsiso Martinez” at 4 p.m. Tuesday, Oct. 24 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
In conjunction with the exhibition Inside/Outside, the Santa Barbara Museum of Art is pleased to welcome back Narsiso Martinez for a public presentation. Martinez takes the produce boxes from grocery stores and paints portraits of the agricultural laborers many of whom are undocumented and subjected to terrible working conditions. These poignant images bring to the fore all the unseen labor that supports agribusiness and come from his experience as a worker in the fields up and down the West Coast.
SANTA BARBARA — Santa Barbara Museum of Art to present “Parallel Stories/Reading and Discussion with Award-Winning Author Eileen Myles” at 2:30 p.m. Saturday, Oct. 28 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
“A kick-ass counter-cultural icon.” —The New Yorker
SANTA BARBARA — Santa Barbara Museum of Art to present “Crossing Cultures, Crossing Artforms: Suzanne Jill Levine, Aldon Nielsen, and Jeanne Heuving” AT 2:30 p.m. Sunday, Nov. 5 at SBMA’s Ridley-Tree Education Center at McCormick House, 1600 Santa Barbara St., Santa Barbara.
Inside Stories/Outside Tales
Three writers read and discuss their works. Distinguished scholars and creative writers discuss how their work has involved them in intensive explorations of cultures and arts apart from their immediate backgrounds.
SANTA BARBARA — Santa Barbara Museum of Art to present “An Artist Talk — Whitney Bedford’s Landscapes” AT 5 p.m. Tuesday, Nov. 7 at the Atkinson Gallery, Humanities Building, H-202, Santa Barbara City College, 721 Cliff Drive, Santa Barbara.
The Atkinson Gallery at Santa Barbara City College and the Santa Barbara Museum of Art have co-organized an artist’s talk with Whitney Bedford, a California artist who looks to art history, especially Impressionist painters, to make startlingly colored and brilliantly graphic images. Even though Bedford is a thoroughly contemporary artist, her work exists in a deep dialog with 18th-, 19th-, and 20th-century artists.
SANTA BARBARA — The Santa Barbara Museum of Art will present th Valencia Baryton Project Chamber Music Concert at 7:30 p.m. Tuesday, Nov. 14 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
The Valencia Baryton Project was founded in Valencia, Spain with the vision of performing the nearly 160 works written by Franz Joseph Haydn as well as compositions by other composers, both modern and classical.
SANTA BARBARA — The Santa Barbara Museum of Art will present Rock and Roll Hall of Famer and NYT Bestselling Author John Densmore in conversation with Andrew Winer at 5:30 p.m. Thursday, Nov. 16 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
Beloved by artists across the decades for his fierce, uncompromising dedication to art, John Densmore occupies a rarified space in pop culture. His musicianship landed him in the Rock and Roll Hall of Fame. His writing consistently earns accolades and has appeared in a range of publications including the Los Angeles Times and Rolling Stone. As his friend and American novelist Tom Robbins recently advised him, “If you keep writing like this, I’ll have to get a drum set.”
William Wegman, best known for his images of Weimaraner dogs, will speak about his pioneering work in painting, drawing, photography, and video, beginning with his start in California in the 1970s. SANTA BARBARA — Santa Barbara Museum of Art (SBMA)…
With their crisp outlines, unmodulated colors, and surprising vantage points, Japanese woodblock prints (ukiyo-e) from the 18th and 19th centuries seem as fresh and captivating today as when they were produced. Sensuality, fashion, decadent entertainments and urban pastimes all reflect the popular tastes of young sophisticates in the premodern era. Matthew Welch will provide an overview of the social milieu of Japan’s “floating world” and the artists who immortalized it through their prints. He will also discuss several contemporary artists whose works reference the ukiyo-e tradition.
In conjunction with the SBMA exhibition Inside/Outside(on view until February 18), Prof. Caroline Arruda will give a talk that combines philosophy with art to think about how artists show us what a life well lived might look like. Contemporary culture sees artists as being authentic because many pursue their creative goals above all else, sacrificing family or a stable life to realize their dreams. While few of us doggedly pursue our goals with this intensity, artists still do have something to teach the rest of us about living authentically and living well.
The Santa Barbara Museum of Art will present Grammy Award-winner Ted Nash in free concert on SBMA’s Front Terrace from 3 to 4:30 p.m. Sunday, July 10 at 1130 State St., Santa Barbara.
In his fourth summer as SBMA artist-in-residence,?Grammy Award-winning musician and composer Ted Nash shares insight and experience with a selection of Santa Barbara City College students and fellow musicians culminating in a free concert.
Santa Barbara Museum of Art to present Pulitzer Prize-winning Forrest Gander joining poet Patricio Ferrari at SBMA’s Parallel Stories at 2:30 p.m. Sunday, Sept. 11 at SBMA’s Mary Craig Auditorium, 1130 State St., Santa Barbara.
Too often we hear that something is lost in translation, but who talks about what can be gained in the process, especially in relation to poetry? In an age of dwindling linguistic diversity and cultural homogenization, poetry translators build bridges across borders and between cultures, writers, and readers, introducing new syntactical strategies, rhythms, and image repertoires. Reading as translators is the deepest reading, a multi-layered engagement with sensorial experience—verbal and visual choices interwoven with the vibrancy of sound—at its core.
SBMA Art Matters features Jan Tichy on Lucia Moholy and Documentary Absurdities at 5:30 p.m. Thursday, Oct. 6 at 1130 State St., Santa Barbara.
Tichy, Associate Professor, Department of Photography, Art & Technology
Studies at the School of the Art Institute of Chicago, shares his work and research on the writer and photographer Lucia Moholy and discusses the place of contemporary art within historical research and preservation.
The Santa Barbara Museum of Art (SBMA) is pleased to welcome visitors back into the galleries on May 11, in accordance with the State of California and Santa Barbara County COVID-19 protocols.
In order to ensure social distancing in the galleries, SBMA is recommending all visitors to make reservations through the online ticketing system at tickets.sbma.net, with admission being free for the foreseeable future.
For the sixth time in consecutive years, the Santa Barbara Museum of Art (SBMA) has been recognized as a “Four Star Charity” by top non-profit evaluator Charity Navigator.
Achieving a Four Star rating—the organization’s highest rating— in consecutive years is also deemed as highly significant. In a letter sent to SBMA, Michael Thatcher, Charity Navigator President and CEO, writes, “Only 11% of the charities we evaluate have received at least 6 consecutive 4-star evaluations, indicating that Santa Barbara Museum of Art outperforms most other charities in America. This exceptional designation from Charity Navigator sets Santa Barbara Museum of Art apart from its peers and demonstrates to the public its trustworthiness.”
The Santa Barbara Museum of Art will present FREE “Parallel Stories (via Zoom) A Conversation with Claudia Rankine” at 2 p.m. Sunday, March 7.
Acclaimed author Claudia Rankine joins SBMA for a conversation “on the path to understanding.” The talk begins with a screening of selections from Situations, a series of ten short videos collaboratively produced by documentary filmmaker John Lucas and Rankine.
SANTA BARBARA — While the Santa Barbara Museum of Art (SBMA) is temporarily closed due to response to COVID-19, the Museum is sharing exciting content on its website and social media accounts to continue to digitally engage the public and maintain…
